Holly, it’s folly

Oh what another winner hath landed Holly!
The best thing about him is that he’s jolly.
He ogles young women voraciously
and slurps his coffee rapaciously.
His looks betray that he’s five times your age,
dear Holly, and it takes no sage
to figure out
that he buys his clothes at McDowd.
Those thick, froggy-eyed specs
imply there won't be much sex.
In short, my angel, between you and me,
you are, as usual, barking up the wrong tree.

– Felix Morgenstern (© 2011)

Written for day 10 of NaPoWriMo.
Today, the idea was to “try to write a poem backwards. I don’t mean letter by letter, or word by word, but line by line. Start by writing out an old saying that takes the form of a declarative statement. Like “Birds of a feather flock together,” or “A miss is as good as a mile.” That will be the last line of your poem. The next line you write will be the second-to-last, and so on, until you reach the “beginning.” To help you keep your focus, let’s say that the poem has to be an address to someone or something that can’t answer back – a person who is absent, or an animal or inanimate object.”
I followed the rules ... well, more or less. I did indeed choose the final saying first. As to the rest, I kept writing new lines and rearranging them to such an extent that I no longer remember what initially was first, second, third, etc.
The address is definitely to someone who is absent – apart from the name, nothing is said about Holly, even though it's clear that she seems to have a serious case of bad judgement.

Malcolm writes

to avoid seeing Marjorie in person as her condition might be contagious:

“Yesterday you wrote in your letter
that you are sick and not feeling better.

I hope this reply with pickle and lime
will give you a much better time.

In the event that this does not work,
I advise you to go see that jerk

down the street who calls himself healer.
He’ll give you a paper for the dealer

of sweet mint-flavored pills
that for sure will cure all your ills.”

– Felix Morgenstern (© 2011)

Written for NaPoWriMo day 9 in response to this: “... today you are encouraged to write a nursery rhyme. 4 to 6 lines, 3-5 accented syllables per line (don’t worry about making them iambs or dactyls or what…as long as your lines are short), and of course, a rhyme or two.”

As if you'd won the lottery

Don't stand there with that shit-eating grin on your face,
my dear, as if you'd just won the red noise prize.

Let me tell you that a fruit's a fruit and a tart's a tart,
and that Annabelle – well, suffice it to say

that I knew her in school, and all to well.
If you know what I mean.

So don't you feed me that 'J'en sais rien' line.
I seen the two of you parked in my car,

and it was rocking.

– Iself (© 2011)

Written for day 8 of NaPoWriMo.

This was written in response to:
"Today’s prompt is a bit of a smorgasbord, and reflects the fact that we are at day seven. It asks you to write a poem with seven different phrases, ideas, or just plain old “things” in it. These are:
1) an example of synasthetic metaphor — one that describes one sensory perception using adjectives more naturally suited to a different sense (e.g., “a red noise,” or a “a bitter touch”)
2) a fruit
3) the name (first or last) of someone you knew in school
4) a rhetorical question
5) a direct address to the poem’s audience — “Reader” or “mom” or “Michelle,” or maybe just “You”)
6) a word in a foreign language
7) a reference to a game of chance (darts or pool or the lottery or etc).
All of these may seem pretty disjointed, and indeed, they’re meant to be. But these kind of little “projects” can work wonders in keeping a poem both lively and concrete, instead of letting it wander off into a forest of abstractions)."

The Matapedia

What is it?

A road somewhere in Canada?

Shreds from a song

to form an inaccurate picture

"And we raced the Matapedia –

and we were not afraid"

But there is also an unexpected meeting

with room for ample speculation

"He said, 'Oh my God, it's Kate!'

'No, I'm the daughter of Kate.
My name is Martha.

Who are you?
Ma never told me about you.'"

And on they race the Matapedia,

with minutes to spare.

I imagine to board a ferry –

a ferry to somewhere or nowhere.

– Iself (© 2011)

Written for NaPoWrimo day 7 in response to the following: "Today’s prompt is one of musical ekphrasis. Ekphrastic poetry comments upon or is inspired by another work of art in a different medium. Most people think of it as a poem inspired by a painting or a sculpture. But it could also be music!"

Lest this remain too cryptic...
As pointed out by vivinfrance in her comment, the Matapedia is a river in Québec, Canada. I still think, however, that the song by Kate and Anna McGarrigle on the album of the same name I'm alluding to must refer to a road running along the river, but I could be wrong. I would assume that the Kate and Martha characters mentioned in the song are Kate McGarrigle and her daughter Martha Wainwright.

Here's a link to the song on Youtube:

I could feel

I could feel
some melodic drowning
coming on today
with horrid greatness.

With horrid greatness
I could feel
some melodic drowning
coming on today.

– Iself

It's all about oxymorons today, this 6th day of NaPoWriMo, and the ones I used were generated by the Serendipitous Oxymoron Maker at the very first try. And I didn't even need to consult the horoscope today ... it was all right there with horrid greatness ... that melodic drowning, or at least some of it. Beware, oh moron, of oxys.

The 2011 Francisco Cabrera Revolution

We almost missed the revolution.

– Paul Hughes

In a nightmarish café

(garish, gaudy lights,

smoke twirls, drone,

laughter, cackling)

in which I'd long given up

trying to listen to anyone

in particular, somebody

raised a glass and shouted

above the din, "Long live

the revolution!"

All I remember after that

is feeling guilty about not

knowing which revolution

this was about. But I did

not dare ask for fear of

appearing uninformed.

Which I am, about most

revolutions nowadays.

– Iself (© 2011)

Written for NaPoWriMo day 5.

The challenge today was to take another participant's poem and riff off of it. The one I riffed off of was one by Paul Hughes titled subway talk part ii (to be read here).

Time Waist

time waist time waist

time waist time waist

ime waist time wais

me waist time wai

e waist time wa

waist time

e waist time wa

me waist time wai

ime waist time wais

time waist time waist

 – Iself

A concrete poem for NaPoWriMo #4.

Not quite a 1-word poem (along the lines of Aram Saroyan's lighght, see NaPoWriMo blog), but the best I could come up with.

Freewheeling

For L.

"There are three fields I work in,"
she said, "performance, video
and drawing." (Her father prompted
with proper suggestions to go on.)

"The performances are exhausting;
they all have to do with ropes,
climbing and descent. I'm not sure
whether they are Apollinian or

Dionysian, something else I have
been interested in. In one, I cut
a bowling alley in half, making holes
in the walls left and right at about

half height to hold the rings
for my rope. I went along towards
my audience, it was both strenuous
and exhilarating. Sometimes

I caught myself wanting to laugh:
what were all these people doing,
watching me with serious eyes
as I went along." Her father prompted,

"And one of your videos was..."
"... dancing along an ugly street
in funny yellow pants. I did many
iterations of this, varying my steps,

arm movements and behavior.
A friend of mine did the filming.
Mostly the people seemed per-
plexed, not knowing what to think

of this crazy person doing this,
making way, moving aside. Not
stopping." "Is there any money
in this?" somebody asked.

"In the videos? – I suppose
they could be sold. Or the drawings
I do – that's my third field
of activity." "And how do you

do them?" her father prompted.
"I make myself rules, I restrict
myself. One drawing might be
only boxes, for example, in only

five colors, but with other rules,
to increase complexity." "And
these you would sell, there is
a market for that?" her father said.

"There is a market, and, once
it has found you, it wants you
to repeat yourself. I could become
the colored box lady,

or the rope performer, or
the hip-hop dancer of dreary
streets, both Apollinian and
Dionysian." Thus ended Lou,

to soon perform an acte
morpheusien for a change.

– Iself (© 2011)

A freewheeling act for NaPoWriMo #3, concocted fresh from the lips of Lou herself last night.

Poems and antipoems

I’m surrounded by books,
many of which I haven’t looked at in years.

Not even been aware of.
They stand there not making a peep,
even the Long Talking Bad Conditions Blues.

How funny to note books owned
for decades with renewed surprise.

In the case of Nicanor Parra
I remember a conversation with Paula and Eduardo
from earlier this year about the great Chilean poets,
during which I quoted from Violeta Parra’s
Cueca de los poetas:

    Pero el más gallo se llama
    Pablo Neruda
    Huifa ay ay.

...

    Corre que ya te agarra
    Nicanor Parra.

But the shelves I’m looking at
also carry more pedestrian stuff,
like the Dictionary of Legal,
Commercial and Political Terms.

Now that one I’ve touched more
often than the antipoems or
condition blues because I need it
for a living. Even though the poor
thing has been mostly superseded
by online sources as many
of its brothers in shelf.

Today I declare the still life
blues day for printed outdated
dictionaries, poems and antipoems
online and shelved.

– Iself (© 2011)

NaPoWriMo 2011 #2

Written upon inspiration by this (at NaPoWriMo):
"Write a poem that incorporates the titles of three books you have in your house."
The books are:
Nicanor Parra, Poems and Antipoems
Ronald Sukenick*, Long Talking Bad Conditions Blues
Dietl/Moss/Lorenz, Dictionary of Legal, Commercial and Political Terms
Singer, song writer, writer and artist Violeta Para (1917-1967) was Nicanor Parra's sister.

*Ron Sukenick (1932-2004) was one of my teachers at the University of Colorado.

Haze

That purple haze
finally appears to be lifting.
Jimi chords are coming closer,
the distortion is ebbing away.
Soon there will only be one sound left –
that of one clear, springy string.

– Iself (© 2011)

NaPoWriMo 2011 #1

Written based on the suggestion "Use a color as your title."
The color that immediately came to my mind was "hazy" – because I've been in a haze of sorts. And then, of course, it became clearer right away, because of Purple Haze.