Nightingale

Grey melody.
Earth and sky sing in you
And are Spring.

– Peter Hille (1854-1904)

(Translation of Nachtigall; copyright © of translation from German by Johannes Beilharz 2010)

I wanna be your hero

You call my attempts
risible, but please
leave me some lowly
pedestal at least

– Felix Morgenstern (© 2010)

Written for napowrimo #20, the hero poem.

A tiny little antidote to Bonnie Tyler:

They call him the breeze

It happened by unthought known –
he knocked up my friend

Said shucks when told
and for amendment from his native country
Há tempos ... there are times

Don’t cry sister cry – get ready
for the times to get better

– Iself (© 2010)

A late entry for napowrimo #1, iTunes on shuffle. The pieces were:

Knocked up – Kings of Leon
Don’t cry sister cry – J.J. Cale
Shucks – Bill Frisell
Unthought known – Pearl Jam
Há tempos – Legião Urbana  

From memory I added a modified version of “They call me the breeze” by J.J. Cale for the title and “Ready for the times to get better” by Crystal Gayle for closure.

Radiant Wall Panels

Now that Chucky
had finally –
after months of begging
and coercion by
his beloved Tilda –
installed the
radiant wall panels
in their Sears Roebuck
kitchen, temporary happiness
had been established
in the Elmore household

– Iself

Another non-abstract RWP acronym-based poem. This time I took "radiant wall panels." See previous post for more details.

GeoCities became ReoCities

In October 2009, GeoCities – free host to zillions of web pages – shut down.

Today I discovered that David Feinman ported many, many of those pages to ReoCities, including link fixes, so that cross-links to former GeoCities pages actually work.

A great big cheer to David!

My old site SoHo/bistro/7067 is among the sites that were saved.

However, I'd also prepared for the death of GeoCities by moving the pages to my own domain. And that is, of course, where the pages will be updated and where more will be added.

Click here to go to the new home of SoHo/bistro/7067 – International Forum for Literature and Art

First Poem

Between the greatest galaxy
and the smallest sigh
the most important sound is
the voice of you or I.

– Deirdre LaPenna (© 2010)

Posted for Sunday Scribblings #201 / Message.

This poetic message is published here by kind permission of the author.

Older poems by Deirdre LaPenna

The cheese ditty

Please, oh please
let me have a crumb of cheese.

Not in my house,
said the mouse.

– Felix Morgenstern (© 2009)

Written for Sunday Scribblings’ Cheese topic.

All the Morgenstern poetry (Felix and Christian) posted in this blog

Rainer Maria Rilke: Archaic Torso of Apollo

Archaic Torso of Apollo

We did not know his head of such unheard-of fame
wherein the orbéd eyes matured. Even so,
his torso, candelabrum-like, still is aglow,
and there his gazing, merely set low-flame,

persists and glitters. For otherwise the incurvation
of the chest could never so bedazzle you, nor indeed,
could from the loins’ soft turning a smile proceed
to that midpoint which once bore procreation.

Otherwise this stone tortured and squat would stand
beneath the shoulders’ lucent sweep, and
would not shimmer like a coat of sable;

nor would it burst forth from all its margins, rife
with the light of stars: for there is not one site unable
to perceive you. You have to change your life.

– Rainer Maria Rilke

Translated by Thomas Geydan. Translation copyright © 2008 by Thomas Geydan, published here with the translator’s kind permission.

Also in Thomas Geydan's translation: Spanish Dancer

An interesting link about translating Rilke ("Rilke translation has become an industry...")

Rainer Maria Rilke: Spanish Dancer

Spanish Dancer

As a struck match, before becoming flame, white
flickering tongues in all directions sends,
so, bystanders looking on, unfolds her dance: bright,
hot and hurried, a circular rite,
pulsating with passion, and intense.

And suddenly it is fully aflare.

With just a glance she lights her hair,
and then, with daring art, turns her entire
dress into this flaming ball of fire,
from which, each like a startled snake,
her naked arms dart, rattling and awake.

Then, deeming too close the lambent heat,
she gathers all of if it together and flings it to her feet
with an imperious gesture, haughtily gazing.
There it lies on the floor, enraged and blazing,
and burning still, refusing to retire.
But, confident of victory, her smile assured and sweet,
she lifts her face as if in greeting to the fire,
and stamps it out with solid little feet.

– Rainer Maria Rilke

Translated by Thomas Geydan, published here by kind permission of the translator. Copyright by Thomas Geydan.

She Tells Her Love

She tells her love while half asleep,
In the dark hours,
With half-words whispered low:
As Earth stirs in her winter sleep
And puts out grass and flowers
Despite the snow,
Despite the falling snow.

– Robert Graves (1895-1985)

A poem by one of the grand old men of British 20th century poetry, perhaps now remembered not so much for his poetry but his historical novel I, Claudius about the Roman emperor.

Slim Siamese asks Tessa Terrier out

When he asked for a date
she said maybe better wait

and consult a doctor to see
whether we could ever have a family

– Felix Morgenstern

Written for Mad Kane's Dates and Dating prompt.

Quitting

I quit
for abundance of wit

And you quit
because you are a nit

So there!

– Felix Morgenstern

For Sunday Scribblings.

Inner warning

The more that inner warning sign flashes
the more you’re attracted like a moth to the flame.
How many phoenixes do you want from the ashes?
Aren’t you getting tired of this destructive game?

– Felix Morgenstern (© 2008)

Missed the formal point again by presenting neither limerick nor haiku for Mad Kane’s This is a warning. Contentwise, however, I'm on target, I think.

Short ghazal honoring spam

I remember a time long ago when spam
was something one wouldn’t eat.

Since those good old days spam
has become something other than fatty meat.

Every day now I find loads of spam
in my mailbox. Oh what a treat!

– Felix Morgenstern (© 2008)

Written in response to Mad Kane's Email Hell invitation for limericks and haikus about that lovely new age scourge – spam. Well, I have to sheepishly admit that I neither have limerick nor haiku to offer but something more similar to a very short ghazal.

Invitation to kiss a prince

Here I sit gathering moss.
Come on girls, don’t be at a loss:
Bring the prince salvation,
release him from ancient damnation.
One little kiss is all it takes –
your life from now on will be champagne and cakes.

– Felix Morgenstern (© 2008)

Totally Optional Prompts is all about transformation – just like this picture and text accompaniment.

Cautious human maybe

As a cautious
example of the species
you won't be nauseous

But maybe
just to be human
you should act like a baby

at times, and taste
strange stuff -
until you have enough

– Felix Morgenstern

Advice with the ingredients cautious, human and maybe from 3WW not to be taken too seriously.

Blessed ignorance

I wish I weren’t so ignorant!
Then I would know lots more.

I might possibly be less arrogant,
knowing what and what not to ignore.

– Felix Morgenstern (© 2008)

Written for BlogFriday, where the weekly word is ignorant.

Ode to one who loves her sleep

Do not tamper with my temper,
she said,
never wake me up
when I’m asleep in bed.

Men a lot braver than you
have tried,
with the result
that I had their hide.

My temper when wakened is like
the wrath of a god,
it scathes, it burns,
it kills at a wink and a nod.

The wounds I inflict
with my nails run deep.
Therefore do not, I repeat,
wake me up when I sleep.

– Felix Morgenstern (© 2008)

Once again I could not resist a prompt from Mad Kane, this time for temper, temper.

Click here for the Morgensterns' collected literary crimes in English and German.

Field theory, breathing and projectile verse

The other day, while dusting my shelf, I came across Charles Olson’s Selected Writings and started rereading his essay (if it can be called that) on what he thought poetry should be like.

I’m not very good at remembering abstract details, but I recall a few of his keywords, such as field, breath and projective.

Once again I feel compelled to illustrate theory to myself by practice, i.e. by living it.

The following poem practices everything Olson mentions.

Three Breathy Fields

FIELD 1

It is an open field, unhindered by obstacles.

Not even a cow projects from it.

(Actually, I should remove the periods at the ends of the lines to achieve openness, and it surely won't hurt to move the subfields or breath units about a bit)

It is an open field, unhindered by obstacles

Not even a cow projects from it

FIELD 2

Here I practice breathing. Everything I write should be spoken in one breath. It should be spoken without breathlessness, however. Since that’s a double negative, I’ll put it positively: It should be spoken with breathness. Still with me in the same breath?

FIELD 3

Is like Neil Young’s field of opportunity, where "it’s ploughing time again"

.
.
.

This field is left open for your convenience, to plough things in, under or over. Fill it with breath, openness, projectiles, whatever. But remember not to damage the screen in front of you.

This ends today’s occupation with Charles Olson’s projective field and breath theory. Perhaps I shall return for another lesson soon. Await it with baited breath.

About my favorite color

My favorite color is red;
on chilly nights I wear
red socks in bed.

When it gets warm outside,
I take my bike out
for a ride.

Its color, as you might have
guessed, is red
cause that’s the best.

Red also rhymes
with daily bread;
it’s what we pray for
and what keeps us fed.

My grandpa’s car is red,
and what a life that man
has led!

In winter red is very good
because it is on
Santa’s hood.

Some roses are red,
and those are said
to best impart
the love in one’s heart.

To make my color poem full:
please do not wave
red at a bull.

– Felix Morgenstern (© 2008)

Posted for Colorful Poetry at The Miss Rumphius Effect and Color at One Single Impression.